I’ve been home for a long and lovely 6 weeks. I really needed the time to recharge my batteries and work on some items on my to do list that just never seem to get done because they’re always at the bottom. I head out to SoCal on Thursday for a lunch and meeting at the Stampington offices and then my 2 days of Resin workshops at Make Art in LA. If you happen to be reading this and you’re local and find yourself with a free days this coming Friday or Saturday, check it out. I have only two spots left in Create and Resinate. My kits are made for the max amount of students the space holds so I promise there’s room and materials for last-minute sign ups.
If you’re not convinced about both days, here’s a little testimonial from artist Kelly Smith: “Casting is addicting! Ever since taking your class a few years ago I’ll go into huge spurts of making molds and casting. You are the best teacher!”
I thought I’d show you a little sneak peek of what it takes for teaching. I include so many mixed-media techniques in my classes that it requires a lot of supplies. I have a large heavy-duty black tote that gets filled to brim and usually weighs between 50 and 70 pounds. (It’s a bear to ship, but as much as I’ve tried to whittle down my supplies. I can’t really do so without asking my students to bring a huge laundry list with them). You can see by my short LA workshop supply list that I do my best to make it easy for people to show up, learn, play and discover.
One of the things I’ve learned over the years is that if I pack for each class in plastic shoe boxes it helps keep me organized. An important consideration at many of the national hotel-based retreats where you’re teach both day and night for two to three days in a row, plus vending.
In addition to my box, I have a black tool bag for my Wubbers pliers, steel bench block, hammer, files, drill, wire snips, torch, rivets, wire, etc. This usually weighs around 20 lbs. Sometimes I bring a small store with me, which includes Susan Lenart Kazmer Art Mechanique bezels, ICE Resin, Iced Enamels, ribbon, etc. Other times, it’s too much and I show up as just me, an artist. (When this happens, I tend to get a least a half dozen sad faces from people who were also hoping to shop and then I feel bad for not wanting to lug around all the stuff.)
My workshop art samples, books and work for sale goes into another plastic tub along with a few display items that fold and pack flat. In this box also goes a piece of fabric for a table covering and a couple of old burlap coffee bags with great vintage writing on them for display.
Of course I have my luggage. I bring water, some snacks like fruit and nuts and Kind bars. I also pack my lavender eye pillow, a small scented candle and some essential oils because sometimes hotel rooms have musty or odd smells. Of course, all of the above is easy to pull off when I’m driving. The events I fly to are much more challenging and I have to ship my workshop box and tools ahead of time. Believe it or not, I’ve also shipped water as crazy as it sounds. I learned this the hard way when I was stuck in a hotel room in the outskirts of Chicago with no car and no van shuttle to get me to a nearby store. I was like a camel and after 5 workshops and had the most splitting headache from dehydration.
I know this is pretty mundane stuff here, but they’re a number of you who read my blog who also teach or are interested in teaching. Plus, I know quite a few of you are art retreaters yourself and it’s good to peek behind the scenes. One of the ways you can tell the difference between a newer teacher and someone whose been at it for a while is their level of preparedness. This isn’t to say that things don’t go wrong, because there’s always something that does, but the experienced instructors should have an ace up their sleeves, like a good magic trick that can save the day. I promise you, they’re a couple of things in that black tote of mine that I can use to change my workshop in an instant if need be.
I’ll catch you on the flipside next week when I return. It’ll be a little quiet here for a bit because I have my Cloth, Paper, Scissors column due within days of being home and a webinar idea I’m suppose to be getting to my editor as well (happy to have a 6 hour drive to think it through because right now all I have a headline and 3 bullet points.)