Life has been busy the past few weeks with the impending move. I’ve spent the better part of this past week purging and packing my studio. It’s been an interesting outer and inner excavation as I go through my boxes and stuff, accessing if I will ever truly have to time to make X, Y or Z art project that I envisioned for the corresponding object(s).
I think being a mixed-media artist automatically means I’m a hoarder of unusual stuff. One of my favorite ways to spend free time is to scour thrift stores and garage sales treasure hunting for interesting items that I can re-purpose from their worn out and “worthless” state into something unexpected and creative. I know I’m not alone in this obsession, as I have met so many women and men at art retreats across the county who share my affliction. I’ll be thrift shopping and spot something and think, “Oohhhhh this is going to make a fabulous light fixture or assemblage or whatever.” I take it home and do my best to strike while the idea is fresh. However, writing the book and all of the other things we have going on with ICE Resin has put a serious dent in my free time, so I’m unearthing too many unrealized art projects these past few days.
Since I’m not quite ready to put photos of my studio in its chaotic, moving state on my blog, I thought it might be fun to every once in a while publish a sneak peek photo of my new book, Making Metal Jewelry. It’s still in the last of the design phase right now. My editor tells me I will have final author review of it next week and then…off to the printers. The date it will be in bookstores across the county is Dec. 13th. Again, Lucky 13!
This little pendant pictured here is one of the “filler” pieces I made. When the writing is done, all the photos are taken and the book is finally laid out in its “thumbnail” format, there will be some holes that need to be filled. It’s up to the author and the editor to decide what to do. I was fortunate that I only had three holes for the entire book, so I quickly whipped out a few “variations” on the main projects to give readers additional design options.
There are a few things I love about this little pendant. First, I made the decision to not flux my sterling silver wire when drawing a bead. Flux helps wire form perfect little balls when dipped into hot flame. However, I really like the reticulation holes and dents made during the melting process so I rarely take the extra few seconds to apply flux. The other thing is that I made the bead caps larger than the crystal focal bead and only lightly dapped the discs. This gives the piece an asymmetrical look and allows the discs to spin, rather than tightly cup the bead.
I don’t mention any of this in the book because it doesn’t seem relevant, but it’s fun to talk about here. I know from my years of profiling artists, I was always interested in their process and why they made the artistic decisions they did. What I learned is that while many artists work intuitively, there is always a measure of control, or a purpose when it comes to utilizing a particular technique. I find the same to be true in my own work.
Next week, I’ll be in the “new” old house. My computer will be down for a few days because hubby is taking this opportunity to back up my hard drive and wipe it clean. A digital fresh start. I’ll be out of sight, out of mind for a while on the blog.
Thanks for stopping by and taking the time to read. Here’s wishing you a truly Artful week (or two) until I see you again.